21 Nov 2023 The challenges of audience building in classical music – Judit Váradi PHD I will approach the same field from a different segment, my story starts in 2000. While working full-time as a lecturer at the Debrecen University Music Department, I raised the idea in 2000, and luckily I was able to open doors, that I saw so many niches that I wanted to fill with artistic life that I was offered a job as an arts manager. I was very, very keen to show that there are artists in Debrecen, not just artists from Budapest. And at that time, I was approached by primary school singing teachers to help them because the number of singing and music lessons had decreased - I wondered if I could organise youth concerts for children... Articles
14 Nov 2023 Head of Music Education and Outreach, House of Music Hungary – Artemis Severinghaus For me too, the first word that popped into my head was digitisation, and the second word that we heard afterwards - that the key thing is what is the grip we can give someone to make a music programme understandable. And I would perhaps take a step back: I come from the House of Hungarian Music, we are in a slightly different situation, we are an institution where people come in. So, in our case... Articles
07 Nov 2023 The challenges of audience building for classical music – László Tóth I think the biggest challenge is the digital world, the accelerated world. Some people predict, predict that the golden age of classical music will come again when people are so over-excited that they long for calm and silence, and it will be trendy again to feel that time stands still... Articles
31 Oct 2023 Harmonizing Society through Classical Music: the case of El Sistema El Sistema, established in 1975 by José Antonio Abreu in Venezuela, is an innovative music education movement known for its significant social impact. The program democratizes music education, offering free classical training to children from all backgrounds, emphasizing inclusivity and social empowerment... Articles
24 Oct 2023 Interview with David Zsoldos (CEO of Papageno, President of the Hungarian Music Council) The Classical ME conference in Timișoara concluded on November 6, where I had a conversation with Dávid Zsoldos, the versatile founder and CEO of Papageno... Articles
17 Oct 2023 “We should play the violin like a good singer sings” – interview with George Pauk It is no exaggeration to say that violinist György Pauk, retired professor at the Royal Academy of Music in London, is a living legend. The musician, who recently celebrated his 87th birthday, spoke about learning and teaching music with a vivacity and verve that belies his age... Articles
10 Oct 2023 Revitalizing Music Education: A Key to Growing Future Audiences in the Classical Music Sector In a period where classical music faces challenges in attracting and retaining audiences, particularly among the younger generation, there is a pressing need for innovative approaches. A vital part of this evolution lies in revitalizing music instruments education, focusing on making it more relevant, engaging, and in tune with contemporary sensibilities. This article delves into how rejuvenating music education, especially piano... Articles
03 Oct 2023 Michalis Karakatsanis – “About the obstacles that today’s musicians face” Born in Limassol, Cyprus Michalis currently running Cyprus Music Information Centre, a small cultural organization with the task to promote music by Cypriot composers and musicians. He hold an MA in Arts Management from the the City University, London and the first degree was on Music from the University of Athens... Articles
26 Sep 2023 Incorporation of Informal musical learning practices in the context of higher education Music functions as a global phenomenon which is an integral element of the culture of individuals. Therefore, musical learning is not limited to its academic/formal settings (school, conservatory, university etc.), but also includes its different, informal forms, in everyday life. In today's post-modern era, there is an increase in the amateur relationship that people adopt with music in its various guises - such as listening, performing and creating... Articles
19 Sep 2023 Navigating Motherhood in the Music Sector: Challenges and Pathways Forward Working in the music sector is the epitome of the concept of the 'gig economy', where earnings are mainly contingent upon each individual performance, rather than deriving from long-term, stable contracts with assured employment rights and security. This dynamic isn't limited to musicians alone rather it encompasses a range of professionals within the sector, including promoters, legal experts, technicians, and administrative... Articles
12 Sep 2023 Classical Music Ensembles and Modern Marketing: A Deeper Dive into Borrowed Strategies In today's digital age, where instant gratification and rapid content consumption are the norms, classical music ensembles find themselves at a crossroads. On one hand, they are the custodians... Articles
05 Sep 2023 Designing a Contemporary Classical Music Festival in Europe: A Comprehensive Guide Europe, with its tapestry of diverse cultures, rich history, and unparalleled musical legacy, stands as a beacon for artistic expression and innovation. This vast canvas, painted with tales of legendary composers, iconic performances, and historic concert halls, beckons the creation of a contemporary classical music... Articles
29 Aug 2023 Adam Jeanes – „Music for all” Adam Jeanes is the Senior Relationship Manager in the Music department of the London regional office of Arts Council England, focused on Music Education and arts and culture for Children, Young People and Learning in London... Articles
21 Aug 2023 Measuring Success in Musical Institutions In any cultural institution, measuring success and the institution's impact on the community is very important. It's not enough to set objectives; they need to be measured over time and adapted along the way to clearly see... Articles
14 Aug 2023 Leadership in the Arts: How to Motivate and Inspire Artists and Staff Managing a team, or in our case, an orchestra, is often a complex task. The responsibility a manager has towards the musicians they lead is the primary role in making things work... Articles
07 Aug 2023 Unconventional Locations for Classical Music Concerts In recent years, we have seen an increasing number of classical music concerts taking place in unconventional locations. In this context, we wonder if this attracts more people to concerts and, consequently, to classical music. The answer is certainly yes because any innovative element... Articles
31 Jul 2023 Developing Educational and Community Programs in Music Institutions Cultural institutions play an extremely important role in the local community. In addition to their primary cultural role in society, we must not forget that they have a great responsibility for the development of future generations within the community... Articles
24 Jul 2023 Concert Season Management: Planning, Scheduling, and Logistics Any orchestra or cultural institution needs predictability and, above all, good organization for a successful season program. In this sense, we consider that planning, scheduling, and logistical elements... Articles
17 Jul 2023 Mimoe Todo – From Piano to Harpsichord Mimoe Todo is a well-known harpsichord performer. Today, she is active in Germany, where she also discovered the instrument used during the Baroque period. Although she has a background as a pianist, her discovery of the harpsichord brought new challenges to her artistic career... Articles
10 Jul 2023 How to bring an old instrument into the present with Diego Cantalupi Diego Cantalupi is arguably one of the most important performers of Baroque music in our time. He plays the lute and manages to keep the spirit of the Baroque era alive through his interpretations. Besides being a performer, he is also a significant educator who works in Italy and performs concerts worldwide.... Articles